Post by Admin on Feb 28, 2014 9:30:50 GMT
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Click Here to Watch Full Movie Online
Liam Neeson, with his towering frame and credible persona, is an asset to any film and here, he does his best to counter a script that’s as frenetic as the camerawork. It’s not all bad and there are moments of genuine tension as well as a terrifying plane crash sequence that will have you sighing with relief you are not travelling and that ensures this film is never screened as in-flight entertainment. Directed by Jaume Collet-Serra (Unknown), screenwriters John W. Richardson and Chris Roach have concocted a scenario that might have had legs, had it not been thwarted by too many distractions by way of character overload and red herrings. As a result, the characterisations are superficial, our investment minimal and the action beyond credibility.
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These days, the 61-year-old seems to prefer kicking ass in cheesy B-movies to getting his back slapped at a Hollywood love-in. And, judging by this latest action thriller, that mid-90s tuxedo looks set to remain mothballed for a few award seasons more. Ex-cop turned grizzled US Air Marshall Bill Marks is hardly a stretch for the late-in-life action hero. Once again he’s an ageing hardnut who has to use his steely resolve and his “particular set of skills” to take down a criminal.
Thankfully, while Neeson has long given up fishing for Oscars he hasn’t stopped thinking about his paying public. This is one film where the title says it all. This ridiculously entertaining thriller barely pauses for breath from the moment it leaves the runway. Writers Chris Roach and John Richardson were complete unknowns when they sent their flight-based plot to Die Hard producer Joel Silver. It must have landed on his desk with quite a bang.
The film begins well as it defines the character of Neeson’s Air Marshall Bill Marks, whose jumpy demeanor, short fuse and reliance on alcohol are integral to the plot. He is a man on the edge with personal problems. The camera distortion as he views the passengers waiting to board the 6 hour flight to London is effective, depicting a creepy element.
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From the moment the plane’s doors close and the text demands begin for the transfer of $150 million (or else someone will die every 20 minutes), everyone becomes a suspect. The entire cast is effective: Corey Stoll as the NYPD cop, Scoot McNairy as a passenger, Omar Metwally as the Muslim doctor, Nate Parker as a computer programmer, Linus Roache and Jason Harner as pilot and co-pilot respectively. Even Anson Mount as Bill’s Air Marshall colleague and Downton Abbey’s Michelle Dockery as the flight attendant are not exempt from suspicion, plus there is Julianne Moore, the frequent flyer who insists on a window seat as she manipulates a seat next to Bill. Moore is an appealing presence. Disappointingly, the prominently billed Lupita Nyong’o, who dazzled in her portrayal of Patsy in 12 Years a Slave, plays an incidental role with negligible screen time.
Unless he can arrange for $150million to be transferred into an offshore bank account, a passenger will be killed every 20 minutes. It seems unlikely anyone could pull that off in such a confined space without finding himself on the wrong end of one of Neeson’s trademark pastings.
But when the bodies begin to pile up in increasingly elaborate ways we start wondering if the air marshall is all he’s cracked to be. And it’s the guessing game that makes the plot tick.
Director Jaume Collet-Serra stages the drama like a tense, post 9/11 game of Cluedo. Cleverly, the Spaniard overlays the criminal’s cryptic text messages on to a series of lingering shots of passengers and crew. The action progressively becomes more and more ludicrous and Bill’s shaky authority takes a battering as he tries to control the situation. The shifting credibility of all the characters is both the film’s strength and weakness and by the time oxygen masks and air pressure levels tumble, windows explode and a crash landing is on the cards, we are rightly on the edge of our seats. It’s a pity that the elements did not bond to form greater and involvement credibility – like that of the film’s imposing star.
Click Here to Watch Full Movie Online
Click Here to Watch Full Movie Online
Liam Neeson, with his towering frame and credible persona, is an asset to any film and here, he does his best to counter a script that’s as frenetic as the camerawork. It’s not all bad and there are moments of genuine tension as well as a terrifying plane crash sequence that will have you sighing with relief you are not travelling and that ensures this film is never screened as in-flight entertainment. Directed by Jaume Collet-Serra (Unknown), screenwriters John W. Richardson and Chris Roach have concocted a scenario that might have had legs, had it not been thwarted by too many distractions by way of character overload and red herrings. As a result, the characterisations are superficial, our investment minimal and the action beyond credibility.
Watch Non-Stop Online Free
These days, the 61-year-old seems to prefer kicking ass in cheesy B-movies to getting his back slapped at a Hollywood love-in. And, judging by this latest action thriller, that mid-90s tuxedo looks set to remain mothballed for a few award seasons more. Ex-cop turned grizzled US Air Marshall Bill Marks is hardly a stretch for the late-in-life action hero. Once again he’s an ageing hardnut who has to use his steely resolve and his “particular set of skills” to take down a criminal.
Thankfully, while Neeson has long given up fishing for Oscars he hasn’t stopped thinking about his paying public. This is one film where the title says it all. This ridiculously entertaining thriller barely pauses for breath from the moment it leaves the runway. Writers Chris Roach and John Richardson were complete unknowns when they sent their flight-based plot to Die Hard producer Joel Silver. It must have landed on his desk with quite a bang.
The film begins well as it defines the character of Neeson’s Air Marshall Bill Marks, whose jumpy demeanor, short fuse and reliance on alcohol are integral to the plot. He is a man on the edge with personal problems. The camera distortion as he views the passengers waiting to board the 6 hour flight to London is effective, depicting a creepy element.
Watch Non-Stop Online
From the moment the plane’s doors close and the text demands begin for the transfer of $150 million (or else someone will die every 20 minutes), everyone becomes a suspect. The entire cast is effective: Corey Stoll as the NYPD cop, Scoot McNairy as a passenger, Omar Metwally as the Muslim doctor, Nate Parker as a computer programmer, Linus Roache and Jason Harner as pilot and co-pilot respectively. Even Anson Mount as Bill’s Air Marshall colleague and Downton Abbey’s Michelle Dockery as the flight attendant are not exempt from suspicion, plus there is Julianne Moore, the frequent flyer who insists on a window seat as she manipulates a seat next to Bill. Moore is an appealing presence. Disappointingly, the prominently billed Lupita Nyong’o, who dazzled in her portrayal of Patsy in 12 Years a Slave, plays an incidental role with negligible screen time.
Unless he can arrange for $150million to be transferred into an offshore bank account, a passenger will be killed every 20 minutes. It seems unlikely anyone could pull that off in such a confined space without finding himself on the wrong end of one of Neeson’s trademark pastings.
But when the bodies begin to pile up in increasingly elaborate ways we start wondering if the air marshall is all he’s cracked to be. And it’s the guessing game that makes the plot tick.
Director Jaume Collet-Serra stages the drama like a tense, post 9/11 game of Cluedo. Cleverly, the Spaniard overlays the criminal’s cryptic text messages on to a series of lingering shots of passengers and crew. The action progressively becomes more and more ludicrous and Bill’s shaky authority takes a battering as he tries to control the situation. The shifting credibility of all the characters is both the film’s strength and weakness and by the time oxygen masks and air pressure levels tumble, windows explode and a crash landing is on the cards, we are rightly on the edge of our seats. It’s a pity that the elements did not bond to form greater and involvement credibility – like that of the film’s imposing star.