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A lively television ad during the opening shots of “The Wolf of Wall Street” refers to the world of investing as a “jungle,” a suggestion that is used ironically as a way of appealing to middle class investors who are intrigued by the stock market but too alienated by the wild mentality of the industry to trust their money in the hands of commission collectors. The sales pitch for the firm known as Stratton Oakmont is less ominous in context; from the mouth of its wealthy founder Jordan Belfort (Leonardo DiCaprio), investing should be a fun (if competitive) enterprise, and his highly experienced staff of professionals is precisely what the average Joe seeks in dabbling into stock trading. What Jordan doesn’t reveal in his public monologues – yet has no problem admitting in private – is that his eager brokers all work from a generic script perfected by him in his early years with the business, and in flashback sequences we observe the evolution of this calculated civility as he pitches obscure stocks to middle class buyers under elaborate ruses, insisting that potential payouts could help them erase debts and move into higher financial brackets.
Watch The Wolf of Wall Street Online Free
Stockbroker Jordan Belfort, the ‘wolf’ of the title (played by Leonardo DiCaprio), thrives as master of ceremonies in a milieu where the only self that matters is the performed self. Like a great number of Scorsese protagonists with whom he otherwise wouldn’t seem to have much in common, including Travis Bickle and Rupert Pupkin, Jordan only exists when validated in the eyes of the world. The offices of Stratton Oakmont aren’t just a workplace for Jordan, but his own private public theatre, a place where he can stalk the boards, reassuring himself of his own success by re-enacting the legend of it.
The narratives fed to customers are all great works of fiction. In Belfort’s earliest days as a stock market assistant (and then later an actual broker) on the very floor of Wall Street, he was taught a critical lesson as he absorbed the material: don’t ever let your investors sell, otherwise you don’t make your own money. An early role model played by Matthew McConaughey makes one astute observation that sticks with him: “The name of the game is moving the money from the client’s pocket to your pocket.” Alas, when the biggest crash outside of the depression rocks the foundation, massive unemployment within the industry is the fallout. Jordan’s luck, however, brings him to the doors of a local investor center specializing in selling “penny stocks,” which are too obscure to be indexed with the major stock exchanges. The fundamental difference: whereas Wall Street proper would earn brokers a mere one percent commission, here is an off-shoot that allows its salesmen to collect 50 percent of the revenue. Combine that with the wealth of knowledge that Belfort inherited from his brief stint in financial ground zero, and a shrewd new way to earn cash emerges for a man who is intoxicated by his own greed.
When preparing to step down in return for clemency from the Securities and Exchange Commission, Jordan reneges in front of his office – he realises that if he ceases to be Stratton Oakmont, he ceases to be. When Jordan’s lieutenant Donnie Azoff (Jonah Hill, wearing bleached teeth and playing a version of Jordan’s real-life accomplice Danny Porush) needs to prove a point, he makes a soapbox of the nearest handy desk and acts out his power play in full view of the ‘wolf pit’, eating one hapless employee’s goldfish, or pissing on a subpoena. With the offices the scene of many a group grope, even isn’t private.
Watch The Wolf of Wall Street Online
Martin Scorsese finds all these components intriguing enough to make “The Wolf of Wall Street” exactly the kind of movie its title suggests: a biting essay on the corrupt nature of Wall Street and all its predatory inclinations. The media have established this portrait in our collective consciousness in the recent years because of the incomparable fallout happening there, all of it engineered by people who are undermined by their unshakable conviction to the closed world of financial excess. It’s not hard to see any of this material as being anything less than the absolute truth. What I certainly didn’t expect in return, though, was seeing Hollywood’s most consistent and observant working filmmaker step out of sync with his own fundamental core in telling this story. Ordinarily so self-possessed in both conviction and aesthetic, the same man who made “Taxi Driver” and “The Departed” has revealed the most ambitious disappointment of his career here, a movie that plays less as an insightful critique and more as an exercise in indulgence. How unfortunate to discover this in the middle of material that is timely enough to warrant more echoing qualities.
Based on Belfort’s own memoir and written for the screen by Terence Winter, Wolf lacks The Departed’s suspense-making genre architecture. The film is essentially a chain of anecdotes: Jordan interrogating his gay butler for money that went missing during a party; Jordan using the family of friends to transfer money into Swiss bank accounts; Jordan’s yacht capsizing when crossing the Mediterranean in a mad rush to retrieve the money from those same accounts. Along with its three-hour runtime, this baggy plotting may make Wolf a somewhat harder sell to audiences but it’s a deeper movie than The Departed – among the best that Scorsese has made.
The movie takes place predominantly through Jordan’s money-hungry eyes; as the founder and proprietor of a successful stock investment company that has just as many secrets as successes, there are occasions where voiceovers become full-on confessions to the camera, and he garbles truths for the satisfaction of holding certain power over his audience. There are also a lot of brutally honest revelations that accompany the details, including one in which his substance addictions (both illegal and prescription) are established succinctly and visually (“I consume enough drugs to sedate Manhattan”). All around him, meanwhile, people with no other incentive other than to bask in a shadow of wealth and power follow the audacious business model of selling diminutive stocks to middle class workers looking to make a fast buck, yet discouraging them from withdrawing under some false hope that things are always expected to rebound. Forbes magazine reads between the lines of this reality during an interview following Stratton Oakmont’s fast rise to notoriety, and they compare Belfort to Robin Hood’s “rob the rich” mantra when his penny stocks start getting pitched to the top one percent of the wealthiest citizens. Somewhere in the midst of this, the FBI also suspects illegal activity, and Jordan becomes a big target for federal investigation.
When drugged Jordan intercepts drugged Donnie during an ill-advised incriminating phone call, both men wind up flailing at one another on the ground, speech slurred, tangled in the telephone cord, looking like nothing so much as two newborns in a playpen – which, of course, they are, except that the playpen is seven acres on the Gold Coast of Long Island, Jay Gatsby country, the most expensive real estate in the world.
Jordan has a nobler conception of himself. Introducing the shoe designer Steve Madden, whose company Stratton Oakmont is about to take public, Jordan identifies Madden as an artist, the artist’s gift being that he “creates trends”. By Jordan’s own definition, then, his market manipulation is a variety of artistry – and the scenes where Jordan rallies his bullpen to do his bidding are unexpectedly touching in their evocation of the esprit de corps among business-world brigands. Like The Wolf of Wall Street, they are at once energising and enervating, the very centre of a movie that fairly reeks with the sweet stench of success.
Watch The Wolf of Wall Street Online Free Putlocker Viooz HQ
Click Here to Watch Full Movie Online
Click Here to Watch Full Movie Online
[/font]
A lively television ad during the opening shots of “The Wolf of Wall Street” refers to the world of investing as a “jungle,” a suggestion that is used ironically as a way of appealing to middle class investors who are intrigued by the stock market but too alienated by the wild mentality of the industry to trust their money in the hands of commission collectors. The sales pitch for the firm known as Stratton Oakmont is less ominous in context; from the mouth of its wealthy founder Jordan Belfort (Leonardo DiCaprio), investing should be a fun (if competitive) enterprise, and his highly experienced staff of professionals is precisely what the average Joe seeks in dabbling into stock trading. What Jordan doesn’t reveal in his public monologues – yet has no problem admitting in private – is that his eager brokers all work from a generic script perfected by him in his early years with the business, and in flashback sequences we observe the evolution of this calculated civility as he pitches obscure stocks to middle class buyers under elaborate ruses, insisting that potential payouts could help them erase debts and move into higher financial brackets.
Watch The Wolf of Wall Street Online Free
Stockbroker Jordan Belfort, the ‘wolf’ of the title (played by Leonardo DiCaprio), thrives as master of ceremonies in a milieu where the only self that matters is the performed self. Like a great number of Scorsese protagonists with whom he otherwise wouldn’t seem to have much in common, including Travis Bickle and Rupert Pupkin, Jordan only exists when validated in the eyes of the world. The offices of Stratton Oakmont aren’t just a workplace for Jordan, but his own private public theatre, a place where he can stalk the boards, reassuring himself of his own success by re-enacting the legend of it.
The narratives fed to customers are all great works of fiction. In Belfort’s earliest days as a stock market assistant (and then later an actual broker) on the very floor of Wall Street, he was taught a critical lesson as he absorbed the material: don’t ever let your investors sell, otherwise you don’t make your own money. An early role model played by Matthew McConaughey makes one astute observation that sticks with him: “The name of the game is moving the money from the client’s pocket to your pocket.” Alas, when the biggest crash outside of the depression rocks the foundation, massive unemployment within the industry is the fallout. Jordan’s luck, however, brings him to the doors of a local investor center specializing in selling “penny stocks,” which are too obscure to be indexed with the major stock exchanges. The fundamental difference: whereas Wall Street proper would earn brokers a mere one percent commission, here is an off-shoot that allows its salesmen to collect 50 percent of the revenue. Combine that with the wealth of knowledge that Belfort inherited from his brief stint in financial ground zero, and a shrewd new way to earn cash emerges for a man who is intoxicated by his own greed.
When preparing to step down in return for clemency from the Securities and Exchange Commission, Jordan reneges in front of his office – he realises that if he ceases to be Stratton Oakmont, he ceases to be. When Jordan’s lieutenant Donnie Azoff (Jonah Hill, wearing bleached teeth and playing a version of Jordan’s real-life accomplice Danny Porush) needs to prove a point, he makes a soapbox of the nearest handy desk and acts out his power play in full view of the ‘wolf pit’, eating one hapless employee’s goldfish, or pissing on a subpoena. With the offices the scene of many a group grope, even isn’t private.
Watch The Wolf of Wall Street Online
Martin Scorsese finds all these components intriguing enough to make “The Wolf of Wall Street” exactly the kind of movie its title suggests: a biting essay on the corrupt nature of Wall Street and all its predatory inclinations. The media have established this portrait in our collective consciousness in the recent years because of the incomparable fallout happening there, all of it engineered by people who are undermined by their unshakable conviction to the closed world of financial excess. It’s not hard to see any of this material as being anything less than the absolute truth. What I certainly didn’t expect in return, though, was seeing Hollywood’s most consistent and observant working filmmaker step out of sync with his own fundamental core in telling this story. Ordinarily so self-possessed in both conviction and aesthetic, the same man who made “Taxi Driver” and “The Departed” has revealed the most ambitious disappointment of his career here, a movie that plays less as an insightful critique and more as an exercise in indulgence. How unfortunate to discover this in the middle of material that is timely enough to warrant more echoing qualities.
Based on Belfort’s own memoir and written for the screen by Terence Winter, Wolf lacks The Departed’s suspense-making genre architecture. The film is essentially a chain of anecdotes: Jordan interrogating his gay butler for money that went missing during a party; Jordan using the family of friends to transfer money into Swiss bank accounts; Jordan’s yacht capsizing when crossing the Mediterranean in a mad rush to retrieve the money from those same accounts. Along with its three-hour runtime, this baggy plotting may make Wolf a somewhat harder sell to audiences but it’s a deeper movie than The Departed – among the best that Scorsese has made.
The movie takes place predominantly through Jordan’s money-hungry eyes; as the founder and proprietor of a successful stock investment company that has just as many secrets as successes, there are occasions where voiceovers become full-on confessions to the camera, and he garbles truths for the satisfaction of holding certain power over his audience. There are also a lot of brutally honest revelations that accompany the details, including one in which his substance addictions (both illegal and prescription) are established succinctly and visually (“I consume enough drugs to sedate Manhattan”). All around him, meanwhile, people with no other incentive other than to bask in a shadow of wealth and power follow the audacious business model of selling diminutive stocks to middle class workers looking to make a fast buck, yet discouraging them from withdrawing under some false hope that things are always expected to rebound. Forbes magazine reads between the lines of this reality during an interview following Stratton Oakmont’s fast rise to notoriety, and they compare Belfort to Robin Hood’s “rob the rich” mantra when his penny stocks start getting pitched to the top one percent of the wealthiest citizens. Somewhere in the midst of this, the FBI also suspects illegal activity, and Jordan becomes a big target for federal investigation.
When drugged Jordan intercepts drugged Donnie during an ill-advised incriminating phone call, both men wind up flailing at one another on the ground, speech slurred, tangled in the telephone cord, looking like nothing so much as two newborns in a playpen – which, of course, they are, except that the playpen is seven acres on the Gold Coast of Long Island, Jay Gatsby country, the most expensive real estate in the world.
Jordan has a nobler conception of himself. Introducing the shoe designer Steve Madden, whose company Stratton Oakmont is about to take public, Jordan identifies Madden as an artist, the artist’s gift being that he “creates trends”. By Jordan’s own definition, then, his market manipulation is a variety of artistry – and the scenes where Jordan rallies his bullpen to do his bidding are unexpectedly touching in their evocation of the esprit de corps among business-world brigands. Like The Wolf of Wall Street, they are at once energising and enervating, the very centre of a movie that fairly reeks with the sweet stench of success.
Watch The Wolf of Wall Street Online Free Putlocker Viooz HQ